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mơ quan hệ với người yêu cũ. As Mina gets increasingly sick, her body withering away, her husband dotes on her He washes her hair, helps her change, brings the sweetness of a fruit to her lips. But underneath the genuinely tender moments shared by this on-screen Moroccan couple simmers a longing — of a forbidden her latest film, “The Blue Caftan,” Moroccan director Maryam Touzani delicately weaves intricate, overlapping tales of love, both traditional and largely taboo for many in her country and its region as she tells the story of a woman and her secretly gay husband who together run a shop making caftans. The marriage grows more complicated when the couple hires a male into socially sensitive subjects is not unfamiliar terrain for Touzani who has won accolades at international film festivals and, just recently, was a jury member at this year’s Cannes Film Festival. “The Blue Caftan,” which had been shortlisted in the international feature film category for the 95th Academy Awards, is scheduled for release Wednesday in Morocco, where gay sex is illegal.“I’m really hoping that it would be able to trigger a debate about the LGBT community and its place …, things that we don’t generally talk about because they are sensitive subjects,” Touzani told The Associated Press. “For a healthy society, it’s important to be able to talk about everything.”Some Rabat, 27-year-old Laila Sahraoui argued some topics are best left behind closed doors.“Moroccans … worry that their kids could imitate such ideas,” she said, adding that she wouldn’t watch the film. “Because of our Islam, we don’t like such things in Morocco. … It’s absolutely not appropriate for our society.”But Touzani, 42, said others shared with her how important it was to portray characters like Halim, the husband.“Morocco is a very complex country where there are very different points of view coexisting,” she said. “It’s about being able to just push certain boundaries and just to question certain things. ... That’s what art can help us do as well, cinema especially.”Filmmaker Nabil Ayouch, Touzani’s husband who co-wrote “The Blue Caftan” with her and is its main producer, said he is curious about moviegoers’ reactions, but feels confident.“There’s a younger and younger audience and they want to see new type of movies, new type of cinemas in the Arab world,” he said. “The more conservative audience will probably not be very pleased.”Part of art’s role, Ayouch said, is to disturb, to stir he welcomes the recognition their movies garner abroad, he said it’s important for films like “The Blue Caftan” also to be experienced by audiences at home and in the Arab those having to “live their sexuality secretly,” he said, “films like this one can give them some courage to face who they are more publicly.”In “The Blue Caftan,” Mina, the wife, has a sense of humor and a feisty side that she uses to protect her husband, who considers her his “rock.” She’s an observant Muslim; viewers repeatedly watch her is a man torn. He has a gentle soul and takes pride in his craft — correcting a customer on a fabric’s exact shade of blue — while catering to shoppers in a changing world, with little patience for the time he takes to embroider by hand. He loves his wife, even as he slips into a cabin at a public bathhouse for secret sexual encounters with tension builds up between him and the male apprentice, Youssef. As Mina’s health falters, Youssef increasingly helps the couple and a love triangle of sorts Touzani said, it’s a movie about “love in its many forms.”That includes love for the traditional craft of caftan embroidery, with sensual scenes of fabrics and stitches.“One of the things I wanted to show in this film is the beauty of certain traditions,” she said. “There are other traditions that … need to be questioned,” she added, citing scenes when Halim challenges some burial one scene, Halim asks for Mina’s forgiveness, telling her that all his life he has tried in vain to get rid of “this thing.” She tells him she’s proud to have been his wife, then rests her head on his a woman of faith didn’t stop Mina from understanding her husband, Touzani said.“We have the tendency of saying, Well, if you are religious, then you cannot be this or you cannot be that.’ I believe that we can be many things at the same time because we are such complex beings.”Smail, a Moroccan LGBTQ rights activist who identifies as nonbinary, saw the movie abroad and said it showed that “love is for everyone.” Asking to be identified by first name only due to the sensitivity of the topic, Smail added “When we advocate for more personal freedoms in Morocco, we hear that the people won’t accept that ... but through Mina’s example, we have a glimmer of hope because Mina is one of the people.”Ahmed Benchemsi, a spokesperson for Human Rights Watch, said that while the number of those prosecuted for gay sex in Morocco “is relatively low” and the topic of homosexuality is less of a taboo there than it used to be, “the law is still there and it hangs over the heads of everybody.” Online, before the Morocco release of “The Blue Caftan,” some praised Touzani’s work as powerful and moving; others accused her of courting the West and catering to its sensibilities over issues more relevant to Moroccans.“I don’t make cinema to please anybody,” Touzani said. “I just want to be as truthful as possible to my characters and to the stories I want to tell.”Touzani’s feature-film directing debut, “Adam,” tells the story of two women whose lives intersect when one takes in the other, an unmarried stranger who’s looking for a place to stay until she gives birth after getting pregnant. She talks about plans to give away her baby to shield him from the stigma that would otherwise mar his was inspired by Touzani’s parents hosting a woman who showed up at their doorstep under similar circumstances. When Touzani was pregnant with her son, she felt “the violence” that the woman endured in having to relinquish her baby because “socially she couldn’t do otherwise.”Broaching topics “unspoken of in Arab and Islamic societies” is one common thread between “Adam” and “The Blue Caftan,” said film critic Cherqui Ameur.“We hope to have fewer taboos in our society through discussing all issues,” he 2015, “Much Loved,” a movie directed and written by Ayouch, in which Touzani worked in various capacities, was barred from release in the country. Authorities at the time charged that the movie, portraying female sex workers, was offensive to Moroccan women and values. The movie, excerpts from which appeared online, sparked uproar; it was defended by some on freedom of expression and human-interest grounds and criticized by others who said its language was crude and scenes too in Tangier to a Moroccan father and Moroccan-Spanish mother, Touzani, an avid reader, studied journalism in London but eventually turned to said she gravitates toward telling stories of people on the margins. On the screen, she wants to give them the voice they may not have and the possibilities that may not exist in real life.“These are the people that inspire me, that touch me, that haunt me,” Touzani said. “These are the people that really make their way inside my heart and stay there naturally without me looking for it.”___Associated Press religion coverage receives support through the AP’s collaboration with The Conversation US, with funding from Lilly Endowment Inc. The AP is solely responsible for this content.
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From Nigerian Guinness factories to the British countryside via small German towns and distant galaxies, this year’s Film London Jarman award nominees take viewers on a dazzling tour of the world – and £10,000 prize, which is named after groundbreaking film-maker Derek Jarman and recognises British artists who work with moving images, has a reputation for rewarding burgeoning talent within the UK art scene. Now in its 16th year, previous names on the shortlist have included Heather Phillipson, Lawrence Abu Hamdan, Monster Chetwynd, Oreet Ashery, Project Art Works and Charlotte … a still from On Freedom of Movement wi de muv 2022 by Julianknxx. Photograph Studioknxx 2This year’s finalists include 29-year-old writer and director Ayo Akingbade, whose 2022 film The Fist chimes with the clinking bottle lines of the Guinness brewery outside Lagos – the first to be built beyond Ireland and the UK – and uses the setting to examine globalisation, industrialisation and the politics of the workplace. West Africa is also the setting for another nominee, Sierra Leonean poet and artist Julianknxx, whose work combines the written word with footage of the Atlantic Ocean to tell stories of migration, colonialism and the Black to the UK yet no less political is nominee Andrew Black’s 2023 piece On Clogger Lane, a sometimes ghostly tour through Yorkshire’s Washburn valley and time itself. Alighting at Menwith Hill – the RAF base known as “the largest electronic monitoring system in the world” – it questions how the ancient British landscape can be utilised for the enforcement of American from Eternity Knocker 2019 by Andrew BlackElsewhere, Israeli-born Karen Russo creates a claustrophobic experience combining architectural footage with ominous soundtracks, while Yorkshire’s Rehana Zaman puts conversation and community at the forefront of her practice. Animator Sophie Koko Gate completes the list. Her DayGlo 2021 film Hotel Kalura – “made during lockdown in a wardrobe” – exudes surreal eroticism and features an extraterrestrial cocktail bar. No less strange, perhaps, than her previous work, 2018’s Slug Life, which told the story of a woman who develops a penchant for the slimy on behalf of this year’s jury, curator Matthew Barrington said “This shortlist continues to reflect the fluid, boundary-pushing work being made within the ever-growing field of artists working with moving images in the UK. The poetic, socially conscious, and singular nature of much of the work connects both to the legacies of previous awardees as well as that of Derek Jarman, and his large body of politically engaged work.”The winner of the award will be announced on 20 November 2023 during a ceremony at the Barbican Centre in London. The work of the shortlisted artists will be going on a nationwide tour in the run-up to the ceremony, including dates at Nottingham Contemporary, Bristol’s Spike Island, Cardiff’s g39, Glasgow’s LUX Scotland and Eastbourne’s Towner Art Gallery.
CNN — It has been 25 years since “Sex and the City†first premiered and the impact of the titillating series still thrives today. Based on Candace Bushnell’s newspaper column of the same name, the series sashayed onto television screens in June of 1998 clad in, of course, a chic pair of Manolos, providing raw commentary on sex and relationships, and positively depicting empowered female friendships along the way. The HBO series shattered norms for six seasons from 1998 to 2004, morphing from bedroom farce to arresting dramedy, and looked seriously fabulous while doing so. Like CNN, HBO is part of parent company Warner Bros. Discovery. “Sex and the City†also spawned two feature films, as well as continuation series “And Just Like That…,†which debuts its second season later this month. Kristin Davis, who plays posh Charlotte York in the franchise, posted a tribute to her Instagram page on Tuesday saying “It is impossible to believe it has been 25 years! I consider myself the luckiest person in the world to be a part of this story that connects so many of us together. It has and continues to be a JOY!†“Thank you to all of you who have come along for the ride. We love you,†she concluded. Cynthia Nixon, the actor behind neurotic lawyer Miranda Hobbes, posted a fun “How it started, how it’s going†post to her verified Instagram on Tuesday, writing, “Before the show I never thought anything as big and wonderful as this could happen to me. And now I can’t imagine my life without it!†Creator Bushnell also marked the occasion, sharing a picture from the pilot episode featuring a brunette Carrie, played by Sarah Jessica Parker to her Instagram along with the caption, “Here’s to a quarter-century of “Oh yes it’s a Happy 25 for Sex and the City!! satc25 Thank you for all of it. I’m a lucky boy!†Mario Cantone, who has played Anthony Marentino on both shows as well as the films, wrote on his Instagram page on Monday. The official HBO Instagram account also took part in the fun, posting a video on Tuesday in which Parker, Nixon and Davis reflected on the past 25 years, with Parker commenting, “We’ve created families, we’ve created “I realized that you were having the same experience in your lives,†she continued, addressing the fans. “We love you for joining us for so many Following the 2004 series finale, the “Sex and the City†movie hit theaters in 2008, picking up with Carrie, Charlotte, Samantha Kim Cattrall and Miranda on their romantic adventures in New York City. The sequel film, “Sex and the City 2,†premiered in 2010. In 2021, Parker, Davis and Nixon reunited for the continuation series “And Just Like That…,†which explores new themes such as motherhood, widowhood and divorce, along with sexuality and the everlasting bond of female friendships. While Cattrall has yet to appear as Samantha Jones in “And Just Like That…,†CNN confirmed in May that she is set to make a cameo in Season 2. “And Just Like That…†Season 2 premieres on Max on June 22.
Everyone’s nervous when they first walk through that door’ Picture Getty Images/Refinery29 RFEver wondered what it’s like to go to a sex club? Well, you’re far from the only one. Dr Chris Haywood, who’s a reader in critical masculinity studies at Newcastle University, has gone to sex clubs specifically to research them in person. In his opinion, what goes on there is a bit more complicated than what we think of as swinging. Yes, you’ve got swinging communities,’ he explains, but also you have the trans community in there. You have men going there just for sex with other men, you have women going there to have sex – or some kind of sexual encounter – with other women. For me, swinging doesn’t capture it.’ If you’ve been thinking you want to give it a try, here are some things you should know before you visit… Women are often in control Of course, not every single sex club is the same, but Dr Chris says he’s seen a big trend towards sex clubs being a very safe caring environment.’ The erotic capital that you might get in a nightclub gets transformed,’ he explains. You see these older guys who may be very successful economically, but suddenly, in the club, that capital that they’ve accumulated outside doesn’t have much purchase, women have control. They’re the ones who can set out the parameters – usually, not all the time.’ Dr Chris has also interviewed about a dozen club owners as part of his research and half of them were women. And their ethos,’ he adds, comes through as no means no, consent, protection, safety – it comes across so strongly.’ Not everyone will be having sex Yes, the option to have sex will be there, but – aside from the fact that there’s no pressure to do anything you don’t want to do – that’s not the only thing that goes on in these clubs. It’s become a much more of a commercial enterprise,’ explains Dr Chris. There’s staging of different nights and themes. It’s almost like an experience economy. You go there, and you pay money to have a good experience. And that doesn’t mean you go in and everyone’s shagging around.’ It’s almost like an experience economy’ Picture Getty Images/Refinery29 RFEveryone else is nervous too You won’t be the only one with butterflies by a long shot. Be aware that everyone’s nervous when they first walk through that door,’ he adds. It’s not unusual, and you’re not strange. Just walk through the door, because every club I visited always has a welcoming, inclusive vibe.’ Different clubs have different vibes There’s a wealth of different places that offer countless different types of night. Ask yourself questions like what do you want from the club, and where are you going to feel safe when you do your research ahead of time to find the place that’s right for you. That’s about you,’ says Dr Chris, and your own way of making sense of it.’ Just say hello’ It might sound a bit too easy, but a simple hello’ is all you need to muster in these spaces. Whether you stand at the bar,’ says Dr Chris, and you talk to the person on the board, or whether you sit down next to someone, I think making conversation really helps. It’s not necessarily going to lead anywhere, but it just helps you settle when you’re in a place that you don’t know.’ And if you’re not feeling it, just leave Nobody is going to time your stay or look at you sideways for taking your leave early – if you try it and don’t like it, don’t feel like you have to stick it out. Just try it,’ Dr Chris advises to those thinking of dipping a toe into this world. You only have to be there for five minutes – if you don’t like it, just walk out.’ Do you have a story to share? Get in touch by emailing MetroLifestyleTeam MORE How I Do It I’m polyamorous – monogamy would be lonely for me’ MORE World’s first’ showerhead designed for sexual pleasure is about to make your shower even steamier MORE I went to a swingers resort with my best friend – it had everything from orgies to naked kayaking Sign up to our guide to what’s on in London, trusted reviews, brilliant offers and competitions. London’s best bits in your inboxPrivacy Policy
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